The model was a bit apprehensive at first - the dress was much more
sheer than I'd had any knowledge of, and she didn't relish prancing
about in "her knickers". Luckily, only a couple of the shots included
the dress, but I couldn't exactly cut them (one was
the necessary counter to the image I took earlier, with my other model).
We ended up doing it was a pair of long socks and bicycle shorts, and
after a good hundred shots of us throwing around fabric in the blowing
fan, all I had left was too composite. And honestly that was the longest
I have ever worked on a photograph. Paintings and drawings, sure, but
never a single photograph.
Even after it was done I ended up tweaking it on several occasions, moving elements around for a better flow and adding treatments. Now it is one of the crown pieces of my final project - for all of these images will of course come together in my thesis show.
The other images required work in other ways. The lighting was
frequently solid and well composed, but the plague doctor figure was
still too "fake". Despite my best efforts, he looked like exactly what
he was - a man in a glorified Halloween costume. I suppose it is to my
credit that the mask looks store-bought and not hand made, but I had to
do something. That "something" ended up being a lot of burning in
Lightroom, pulling the Plague Doctor out of shadows that had never
really existed in the original image, as if he was rising from the
depths of some great, uneasy darkness. My lighting professor always did
remind us that often the error was in over-lighting and giving too much
information, and in this case I cannot disagree.
Why I failed in this to begin with is uncertain. Perhaps too much
dependence on a one directional strobe for lack of other lights, perhaps
feeling rushed by the needs of the model, or some over-thinking on my
part due to the importance of this body of work. I simply cannot say.
Whichever reason I do not dislike the end results, so it all turned out
well in the end regardless.
No comments:
Post a Comment